Archive for Heart Poem

Almost Perfect Poem Using Imagery

Well-written poems contain certain elements with imagery, imagination, and vision at the top of the list. Even knowing the complete list, though, does not mean every poem will have all the elements of image and discourse, rhythm, effective line breaks, figures of speech (also known as poetic devices), word music, and formal structures. In fact a good poem may have one or two as major strengths and perhaps some of the others to supplement and complement the major element or elements.

However, imagery is a major component of any poetry. Through words, our senses experience a vivid, sensuous reaction. We need to use more than visual images, even though they are the most found in writing. Well-written poetry evokes smell, touch, sound, and/or taste. In other words, “show, don’t tell” is a common rule of poetry writing.

One way to develop the ability to create imagery, creating pictures out of words, comes from developing our imaginations. If we can first learn how to “see” in our minds what we want to share, writing that mental image becomes easier. Playing with senses, scenes, moods, questions, concepts, and faces in our minds and with our words frees our imaginations and allows them to fly, to soar. Writing lists of words that go with an idea wanted in a poem gives us starting points and threads to weave into the image. This list should include words dealing with most of the senses, if not all. Using free association (writing words that pop into our minds) helps us to free ourselves from preconceptions, firing up our imagination.

Play with the ideas and words, creating a tapestry of words to tickle the minds and imaginations of readers. One thing we need to do, too, is keep our images concrete, not abstract. Saying something is beautiful doesn’t “show” us how or why it should be considered beautiful. Giving the item color, texture, shape, and other sensory details gives the reader an idea of what beauty is.

Poetry should appear differently on the page or computer screen than paragraphs of prose. We need to use the thoughts and “threads” to prepare our poems.

Once ideas are listed, played with, and arranged artfully, we need to put the fledgling poem aside for a few days. Later we can see the poem with fresh eyes and decide to polish some more or give it a public debut.

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Mothers Day Poem That Will Really Touch Her Soul

Mothers Day poems are a celebration of love, strength, character, selflessness, joy and family. You can write a Mothers Day Poem to any Mother in your life whether she’s your wife, sister, friend or even your own mother. The sentiments are always the same and we all know the amount that mothers give up in order to raise their children; the daily grind and the thankless tasks that go into bringing up the next generation of society. An ideal way to show our gratitude to the mothers of the world is to express it in poetry. A Mothers Day Poem can express many deeply felt emotions in only a few words and can easily stir the spirit and emotions of the recipient.

Now, most people aren’t poets by nature so it can be a pretty tall order to write those few words that tell of your gratitude, love and loyalty to your mom but don’t despair, there are options! You can go online and find a beautifully crafted poem by a master wordsmith and copy it out onto a piece of handmade paper with an old-fashioned ink pen (tip: choose a good nib for italics to create flow within the line of each word and practice a couple of times before applying your words to the expensive paper).

Once you have written your poem you can decorate it with a collage to frame your words. Alternatively you might choose to draw or paint flowers around the body of text. You might even roll up your work of art and deliver it with a ribbon tied around the scroll, or even better she might like it framed so that it can be displayed. This will make her very proud and will be a constant reminder to her of your deep affections. Either way you can be sure that the mother that you’re giving this to will be delighted that you have taken some time out of your day to think of her and make her something beautiful.

Before you give your gift of a Mothers Day Poem you might like to go into the garden and pick her some beautiful spring flowers. No one can deny the beauty or meaning of a poem delivered with freshly cut flowers. Whatever you do for the Mothers in your life this year make sure you show them that you love them and appreciate all that they do for you- make this year count as the memories created now will strengthen all bonds of family for the rest of your lives.

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How To Write a Good Poem

What constitutes good poetry differs from person to person, and what one reader might enjoy, another will not. Judging a good poem is very subjective. Basically, this means there is no way to truly determine what ‘good’ poetry is, but there is a way to tell if poetry is ‘bad.’Poetry, more than any other type of writing, is usually very personal or emotional. Because of this, readers will like poetry with which they can feel a personal or emotional connection and probably won’t like poetry with which they cannot connect. Just because someone can’t relate to the emotion of a poem doesn’t mean the poem is bad, and just because some can relate to a poem doesn’t necessarily mean it is good. Like I said, it’s very subjective.

The first thing you most know about poetry is that there is no set of ‘rules’ for poetry. While there are some guidelines for certain types of poetry, such as a haiku (which is written in seventeen-syllable verse form, arranged in three lines of five, seven and five syllables), most poetry tends to be free verse. Some of it rhymes and some of it doesn’t, and that’s okay!

When writing poetry, avoid using all caps or toggling between upper and lower case. This does nothing to appeal to the reader and actually detracts from the visual imagery your words are supposed to convey.

Using phrases such as “Undying love” or “I love you more than words can say” are cliché, and honestly, unoriginal. We’ve heard these tired lines over and over. Plus, there’s nothing worse than reading “I love you more than words can say…” but then to go on and read three pages of a poem where words are saying how much love is there. If words can’t express love, then why write the poem in the first place?

Avoid over and under use of punctuation. I have seen a lot of poems that have no punctuation at all, which makes it difficult to read and pause while reading. I’ve also seen poetry that has an over-abundance of punctuation, which causes the poetry to be choppy and hard to read it with any type of flow.

Don’t misspell words. Edit your poetry, proof it, read it out loud like your reader would read it, not like you think you have written it. Poor spelling or misuse of words will detract from the emotion of your poetry.

When writing poetry, esoteric poetry is great, as long as the reader can get a sense of what you mean or can connect and find a meaning all their own. A poem that makes no sense and leaves the reader wondering, “What was that about?” is truly not good poetry. The reader doesn’t have to understand it from your point of view, but they need to be able to feel something or understand it from their point of view.

Fresh imagery, visual imagery, or emotive conveyance – you want your reader to see something they have never seen when reading other poetry. You want your reader to be able to visualize your poem, in full living color – see it, feel it, or even for the moment to live it, and you want to do it in a way that others have not done it many times before. Poetry that fails to do this is simply not good poetry.

Take a look at how the poem looks on the page. Are there some lines that linger out longer than others? Does it look choppy or have a weird flow to the lines of the poem? In fiction or non fiction writing, how the words appear on the page is pretty much standard, but in poetry, how the lines flow, the ‘shape’ of the poem is sometimes as important as the poem itself.

Think about how the words flow, the meter and rhythm of the cadence. Does it have a beat, a pulse, a pattern? It’s not required, but when you read it, does it flow well? Read your poem out loud and see if your voice rises and falls naturally with a good ebb and flow.

Good poetry does not have to rhyme, however, if you do rhyme your words, don’t stretch too far to try to make them rhyme. For example, if one would have to change the standard pronunciation of a word in order to make it rhyme, this is not good poetry – with the exception of humor poetry, which sometimes forces rhyming as part of the very humor of the poem itself.

Use the proper words and meanings. Just because a word sounds interesting or rhymes with another word, that doesn’t mean it’s okay to use it if the meaning of the word doesn’t fit with what is being said. After all, poetry is more about the meaning than about the reading of it – a word may sound good, but if the poem makes no sense, who cares? Get yourself a good synonym finder online or a good thesaurus and look up interesting or even archaic words that mean what you want to say, but never throw a word in there just because it sounds good if the meaning is skewed. Again, humor poetry is an exception, and sometimes using words intentionally incorrectly might be the point of the poem if it is meant to be humorous. I adore ‘play on words’ poetry.

Human beings like twists. We don’t always want to know what is going to happen next. Poetry is a story in verse form, and it should have a ‘plot’ of some sort that we can see. Use irony, metaphors, analogies – tell us a story, and let us be sucked into it. Make your poem a condensed short story and give us a good ending to our short word journey.

Okay, after all I’ve said, this one will seem to contradict – emotion isn’t enough! I know, I have said over and over to be emotive and make us feel something, but truth is, your raw emotion is not something with which I can connect. Write your poem based in and infused in your emotion, but do it in such a way that I can feel that emotion too.

Oscar Wilde once said, “All bad poetry springs from genuine feeling.”

Emotion is good, but poetry needs words to convey the emotion, and you should choose the words and the meter and style that fits the emotion you want to convey to the reader of your poem.

Emotion isn’t only sorrow or love or grief… happiness and elation are emotions too. Humor is a great way to convey emotions to the readers of your poetry. When you are stuck on a poem, try taking a break and write about an opposite emotion instead – be silly, be funny, and the person who reads your poem can have an emotional connection to that too. Good poetry doesn’t have to be esoteric and morose.

In the end, good poetry is the poem that makes you feel something… it will make you think, respond emotionally, laugh, cry, get angry – but FEEL something. If a poem fails to evoke emotion in a reader, then it is a bad poem. If a poem cannot be understood or the reader cannot connect to it in some way, then it is a bad poem.

And lastly, don’t write poetry just for yourself. Some of the best poems ever written were written by the poet for someone else. Learn to write for you as well as for other people who will read your poetry. Spark emotion in them, make them laugh, smile, cry or scream – and if you do, that is how you know you have written a good poem.

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Dispel Grief With a Positive Bereavement Poem

After a loved one dies, it feels like the world has come to a crashing stop. Grief and mourning can be so intense that you feel like you are sailing through a hurricane and then sinking in a sea of quicksand. A positive, faith and hope filled bereavement poem can help dispel grief and raise your spirits. The dark clouds of grief and loss can leave you and your family as you rise above the waves of fear and walk on the water of solid emotional and spiritual faith.

Loss and mourning are two obstacles to face and endure after a loved one dies. That might be a spouse, child, or family member. Or a close friend or neighbor, someone at church or even a personal role model. For example, when famous actor like Paul Newman died, many people who loved his example of a faithful marriage, his salad dressing, his famous roles movies like The Sting, and his good humor were shocked and numb. Death hits harder when the people are closest to us. Why do sympathy poems help after the death of a loved one?

Bereavement poems are a form of sympathy prayers that remember your loved one’s life, with the hope of eternal life that follows. An effective bereavement poem contains several words of condolence and sympathy sayings, and even sympathy prayers.

The key words of a grief poem are expressions of hope. The virtue of hope looks forward to something new, something better in life, a transformation of even life after death. For example, in the Christian religion, disciples of Jesus Christ believe in the resurrection and new life with God that follows death. In many religions, hope is a gift that points toward eternity – a lasting union and friendship with a Supreme Being.

The symbol of hope in the Christian religion is an anchor, that holds a boat steady during a storm. The rope that holds the anchor to a ship during a stormy time of life relies upon being cast into a sea bottom of faith and love. That rope is a life line to hang on to, when the hurricanes of life come blowing through. The fact is that death happens to every person.

A bereavement poem that contains a prayer of hope and words of consolation brings peace to your mind and calm to your heart. All you need to do is to find a simple sympathy poem that is easy to say and includes the names of your deceased loved ones.

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Poem For Inner Peace That Lasts

Why fret over the immoral, they’re but a vapour,

They’re grass that’s often mowed, there’s no reason for envy, for they’ll soon be cut down,

Trust, delight in and commit yourself to your Higher Power,

And righteousness, justice and equity will soon be yours.

Don’t fret for any reason it only brings you undone,

It’s only the meek, and those who hope and wait on God who’ll end up inheriting the land,

Just know the peace that transcends human understanding,

The Lord laughs at those who go against you, cutting them off… trust him and see.

It’s better to have nothing and know God, really it is,

For less is more and more is less in God’s economy, as he gives and takes away,

He gives life to his giving set-apart ones, as they live for others,

But the taking selfish others vanish like smoke without an affirming memory.

Fear’s only fitting when it’s toward God,

Awesome respect for this life, his wonder, plus his provision and care,

The way to keep faith with him is not spending time with the corrupt,

Being prudent regarding who you knock around with is vital.

We’re never always right and often we’re wrong,

There’s nothing wrong with that,

Sometimes when you’re wrong you can be handled as if you were right all along,

It’s having a commitment to grow all through life that matters.

Trust yourself to the Lord,

And wait patiently for him,

He’ll show you the way to wisdom and life for others,

And release you from the hell of self you live in today.

For the hell of self is a trap for all,

Delighting in the Lord however, is the key to a fulfilling life,

Play by his rules of grace and truth,

And godly virtues, joys and pleasures will soon be all yours.

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The Paithani Saree

The Paithani saree is known the world over for its uniqueness. It is one of the most beautiful sarees in the world. Beautifully crafted, with an exquisite zari border, this saree is truly a poem in silk. The Paithani saree is chosen by brides to wear on their special day, especially in Gujarati and Maharashtrian families.

The Paithani sarees are mostly woven in Paithan in Maharashtra. Yeola, Pune, Nasik and Malegaon in Maharashtra are the other centres where weaving of Paithani sarees is undertaken. These sarees were initially woven specially for queens and other members of the royal family by weavers in the palaces. However, with the passage of time, these sarees are now easily available both in India and internationally.

In an original Paithani saree, pure silk is used in the weaving of the body and pure gold and silver zari is used in the pallu and the border. The zari used in the preparation of the saree is specially procured from Surat in Gujarat. The process of preparation of a Paithani saree can take a time period ranging from a month to years. It is because of these reasons that this saree is rather expensive. To bring down the price of these sarees, weavers are using silver instead of gold and silk in place of silver.

Traditionally, Paithanis used to have a plain body with a heavy golden border and a large pallu. However, with the passage of time, various motifs began to be used in these sarees.

Though modern-day weavers are trying to develop newer and innovative motifs, usually traditional motifs are used in Paithani sarees. The most commonly used motifs in the body of these sarees are ‘kamal’ (lotus flower), ‘hans’ (swan), ‘asharfi’ (coin), ‘asawalli’ (flowering vine), ‘Bangadi mor’ (peacock in bangle), ‘rui phool’ (cotton flower), circles, stars and clusters of leaves. In the pallu of such sarees, certain motifs are very commonly found. Some of them are ‘Asawali’, ‘Panja’ (a flower in a geometrical shape), ‘Muthada’ (a geometrical shape), and ‘mor’ (peacock).

Paithani sarees are woven in a number of colors. These colors can be pure or be created using a blend of different colored yarns. The colors that are typically used in these sarees are ‘kaali chandrakala’ (black), ‘uddani’ (lighter black), ‘pophali’ (yellow), ‘neeligungi’ (blue), ‘pasila’ (a combination of green, red and pink), ‘pheroze’ (a blend of green, white and red), ‘samprus’ (a mixture of green and red) and ‘kusumbi’ (a purple and red combination).

Artisans in Paithan have been practicing the art of weaving the Paithani saree for centuries, and this tradition has been passed on from one generation to another. MSSIDC i.e. Maharashtra Small Scale Industrial Development Corporation Limited was established in the year 1962.

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Day Keeps the Heartache Away

In this complex world of technological gadgetry, we run at a pace which would make our ancestors blush at the thought. Faxes are not even fast enough as we have email which is instantaneous. And no matter that you are not at your computer because many cell phones deliver email in a snap. The latest news from abroad—good or bad—the latest stock quotes to brighten or stress your day—it’s all there in a digitally quick transmission of electrons. Is it any wonder that we have little or no time for self-reflection, for a quiet moment far from the maddening crowd?

The halcyon days of yore often seem like a distant memory. I remember the highlight of my day when I could sit in my room for several hours and savor the classics—from Tolstoy to Shakespeare from Hardy to Keats—the books containing these great works lined my shelves like eager moss lining its host tree. Whenever I would read such great literature, and particularly after memorizing some passage from one of the books or some verse from one of the classic poems, I would feel a soothing sense of good that today seems like a distant memory. The warmth I felt from reading the Shakespearean sonnets or those of Barrett Browning, and the delight I got from reading Keats’ “Elegy Written in a Country Courtyard” inspired me to new heights and eased any heartache I felt from being trapped in the mundane existence I felt compelled to live.

Probably for the reasons stated, I was inspired to write poetry. Poetry has a way of enduring long after the death of the poet, but more importantly poetry has a way of easing the heartache that is often imposed on us from daily living. Because poetry expresses things in a flowery and symbolic way, this mode of communication gives the reader the chance to spend a moment in quiet self-reflection and this very act becomes the anodyne to heartache. Moreover, if we infuse faith into the poetry and shift their focus to a higher realm and a higher being—indeed God our Creator—then we have the recipe to relieve all sorrow and pain.

So do yourself a favor and ease some heartache today. Read a poem or two and start doing some quiet self-reflection.

Joe is a prolific writer of self-help and educational material and an award-winning former teacher of both college and high school mathematics. Under the penname, JC Page, Joe authored Arithmetic Magic, the little classic on the ABC’s of arithmetic. Joe is also author of the charming self-help ebook, Making a Good Impression Every Time: The Secret to Instant Popularity; the original collection of poetry, Poems for the Mathematically Insecure, and the short but highly effective fraction troubleshooter Fractions for the Faint of Heart. The diverse genre of his writings (novel, short story, essay, script, and poetry)—particularly in regard to its educational flavor— continues to captivate readers and to earn him recognition.

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Anatomy

Inspiration comes in many forms. An exchange of words on the street, a chiding, but loving mother in a department store, or a friendly stranger in a little town provide the necessary mental fodder for the poetry mill. I write down the crux of the observation on a piece of paper because I know how fleeting the germ of an idea can be. When I have a moment alone, I pull the meaningful words together, most times what will be the last two lines of the poem and work backwards from there. I feel that the benefit of rhyming words far outweigh the difficulty of finding the perfect word. At no time to I allow the meaning to be submerged by a second choice word. As an example, I have chosen a poem I wrote called ‘Same Old You’. The first line sets up the premise:

YOU’VE NEVER CHANGED, YOU’RE STILL THE SAME.
This declaration leaves the reader up in the air, not knowing whether the writer is happy or unhappy with his partner. The second line:

WHAT YOU USED TO DO, YOU’RE DOING AGAIN.
sounds like the writer is a bit annoyed, but brave enough to tell his partner what he thinks.
Next comes:

THOSE HABITS OF YOURS THAT YOU HAD BEFORE

NUMBER THE SAME, NOT LESS, NOT MORE.
This statement sounds quite chiding, but the reader can’t be sure that these ‘habits’ are the good or the bad kind. Now to soften the mood and to change direction I wrote:

YOU’RE IN A RUT, THERE’S NOT MUCH HOPE,

NOBODY’S PERFECT, NOT EVEN THE POPE.
This is plainly teasing, playing on the partner’s innate sense of guilt, by implying that they think themselves a perfect person. Now we’re getting mad, even sounding accusing:

YOU CONTINUE TO DO THE THINGS YOU DID,

I EVEN DISCOVERED THE ONE THAT YOU HID.
Quickly a reiteration of the first line and a comparison:

BUT YOU’VE NEVER CHANGED, YOU’RE LIKE A STAR,
resolves the issue in your mind and changes the meaning of all that preceded ending with the statement:

AND I LOVE YOU JUST THE WAY YOU ARE.

All my poems are tone poems, I.E.: to be enjoyed out loud, and I try to keep the accents on the beat of the meter. With my poems I try to explore the common place emotions of ordinary people, with varying degrees of success. Of course, if a poem is good, it needs no explanation, just being there should be enough. Happy writing.

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The Keeper of the Dungeon

The Dark, damp, deep dungeons
(Underneath the castle grounds)
Where freedom has no sunlight
This dark palace,
Is where the cadaverous dungeon keeper resides?
Where death filters its way into, this dungeon’s stonewalls:
Here, upon your arrival, hate—with mortar mixed tortures
Fester about; infinite, horrid decaying bones separated from flesh
Paralyzed human spirits—live…(the Keeper’s clientele)
Live in a lifetime of hideous silence.
Here, all cease to speak, blinded and stripped
Raiment’s, just muffled echoes—
In these Dark, damp, deep dungeons
(Underneath the castle grounds)
Where freedom has no sunlight
Where death filters its way into this dungeon’s stonewalls.
Here all will forget ones original name, after time
And all carry their own chains [no crosses allowed]:
Contemplate propositions once made—now too late.

It was this demonic beast, Opiel: keeper of the dungeon
(Once keeper of Hell’s gates)
That broke the silence seized the arms of each human being
Grabbed some by the nostrils
Dragged them disquietingly
Across the stone floors, in utter darkness;
In silence, darkness, solitude, who could stop him?
Motionless they all stood…!

“You are all my guests,” he laughed
His echo was like a pack of rats.
(No future, only madness.)

Dungeon walls speak: blank, dark secrets:
They have unconquerable spirits,
Impending footsteps, no fatigue,
Cold and slimy bodies; these walls have feet,
Instinctively they groan, wiggle about,
As if their thighs are blinking eyes
They do not know defeat!

One guest once told me:
They thought it was a dream
But when they awoke, it was reality!
“Ghosts have their dungeons of madness also…”
(I quote: the keeper of the gates);
Some are let loose to created havoc
Others like reptiles, sleep in these dark dungeons
Night after night after night; so says the Keeper:
“Revenge is my birthright.”

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The Cliffs to Torre Torre

The Cliffs to Torre Torre

(Huancayo’s Envy))Peru))

Prehistoric Geological Monument near Huancayo

Tall up by the cliffs, in the township of Huancayo, stands

A cluster of piercing stone like pillars, lightening rods

From the Ancient-gods, with thousands of years being:

weather worn and torn and blistered;

These pillars of stone reach—heavenward.

Around this cluster, an engulfing, natural enclosure

Like an old cemetery guarded with erect towers and tombs;

Brownish rocks, baked by the sun, washed by the rains

from the heavens:

It is called ‘Torre Torre’ and rests below the cliffs of Huancayo,

alone.

It is the envy of the Valley, where both warrior and poet

have traveled.

Note: The poem, ‘…Torre Torre’, is not referring to the island called ‘Bora Bora’ in the South Pacific, it is a geological wonder in and around Huancayo, Peru, beyond the Andes, in the Valley of Mantaro. How it got its name, I don’t know, but I’ve been to the site a number of times, and it is always fascinating to see the course the wind, and weather have taken on this geological wonder, how they worked to mold such things as these stone towers; primeval geological erosion. Fascinating I say, for surely they’ve been here longer than the city of Huancayo, habitants by some 325,000-citizens; an old Wanka culture once roamed this area, perhaps dating back to 1000 BC. The stone pillars are more tucked away in what I’d call a gorge. One can go down to see it, and actually walk through it, or one can go onto the cliffs above it, and look down over it, and if more adventurous, climb down into it, or like me, just observe it from a close distance, both ways.

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