Christmas Angel Gift Poem

This angel craft poem is an ideal craft for loved ones in need. You can make this project as simple as some card stock and a plain white feather or you can place it into a box or gift card.

You can use coloured feathers for a more vibrant feel, but remember angels don’t usually have hot pink feathers or at least we don’t think so.

To make this angel feather poem all you need to do is write out the poem and attach a feather. If you want to make a magnet, just glue on a flat backed magnet to the back of your card. You could also make these with a hanging ribbon to place onto the Christmas tree.

Angel Feather Craft Poem

This is an angel feather,
sent from God above,
to serve as a reminder,
of his gracious love.

It’s from your guardian angel,
that God himself assigned to you,
And fell out in his struggles,
as he protected you.

Each time you almost stumble,
Each time you nearly fall,
Remember to,
Thank God and his angels,
for answering your call.

You can make these for school fundraisers or use them as quick craft projects for girl guides or scouts to make for mothers day or fathers day gifts.

These are very popular as magnets as they are a constant reminder each time you open the fridge, they are also perfect for donating to hospitals to give out to patients or loved ones in need.

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Secret Ways to Write the Perfect Love Poem

Everyone is capable of writing a jaw-droppingly beautiful poem, so why do most shy away from writing love poems to those special people in their lives? They don’t know the tricks that the masters use to get emotion evoking works every time.

First you need to separate yourself from outside distraction and focus on writing. This may be achieved by turning on some beautiful music or by relocating: going to a park or other quiet area.

You must be able to feel every word and how it relates and sounds with the other words. So it is not a bad practice to read the poem or recite it as you are writing it.

As far as feeling every word: you should have already determined a general theme of the poem before you write (lost love, new love, pain in love, etc.). After you have identified that feeling there are a few steps you can take to draw the poetry out.

1) Read a similar poem by a master poet. (They are a master if they are able to create a reaction or feeling when you read it.) Then write your poem based on the same poetic conventions (techniques or form).

2) Watch a moving video with a similar theme to the poem that you plan to write about. Then after the feeling evoked by the video is still fresh in your memory. Write your poem.

3) Listen to a love song with a similar theme to the poem that you plan to write about. Picture yourself in the song writer’s place. Really connect with the feeling. You can keep the song on repeat after you have listened to it while you write your poem.

4) Choose a random title or theme that has nothing to do with love and somehow connect the two in the poem.

Examples:
Free Love Poems
Mustard
Her eyelashes were mustard the day we met
the smell of her perfume so strong that it made me dizzy
I thought the dizziness was me falling for her

The second time we met she wasn’t wearing perfume,
She smelled like an old locker room
And had the look of a hooker
Black lashes, black liner, black leather
…that was the end of the story with Sue.

Mustard (theme)
At first she seemed ordinary.
She seemed like a hundred other girls I met,
so I didn’t pay her any attention.
But after having her there in our little group for so long
I started to miss her when she got her full time job.
Every time we went out, everyone could feel something was missing.

After a couple of weeks I decided to visit her job.
She lit up like a kid at Christmas,
I chatted about how much fun we were having without her,
She looked down and asked why I’d come.
I said some of the girls were asking for her.
She said she’d see if she could join us on the weekends.

That weekend she came;
I started talking to her more;
she knew…
(What mustard adds to a dish is the underlying theme.)

5) Begin with an image in your mind of yourself in a situation that evokes the emotion or theme you plan to write about. It can be a real situation or imagined. Pretend that you are talking to the person reading the poem as you write about the experience (This is what good romance novelists do.)

Example:

It was dark and cold,
I could still feel his hands all over me,
The wind gushed
Pushing me back to the direction of his apartment.

I didn’t want it like this:
Kisses with a stranger, in a strange land,
He probably was a convict, probably had a disease,
It started to drizzle.

I didn’t have a car.
He didn’t have a car.
He wanted me so bad, cared so much
He didn’t even walk me home.

I’m a mile away;
These tracks I’ve crossed before have never seemed so long.
Why did I feel like there we a thousand eyes looking at me?
As I climbed the final steps up to my house,
I found my roommates asleep.

Why weren’t they worried about me?
Why weren’t they looking for me?
What if I’d never come home?
Sleep welcomes me for now.

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I Carry Your Heart With Me

The poem, “i carry your heart with me,” by E. E. Cummings has been a favorite love poem and a favorite selection at weddings for many years. The poem has gained renewed interest since being featured in the film, “In Her Shoes.” It is used with devastating effect in the film’s climactic wedding scene and again to close the movie. Countless fans have been inspired to review the touching words of “i carry your heart with me.”

The Poet

E. E. Cummings was born Edward Estlin Cummings in 1894 in Cambridge, Massachusetts. He died in North Conway, N.H., in 1962. Cummings earned a B.A. degree from Harvard in 1915 and delivered the Commencement Address that year, titled “The New Art.” A year later he earned an M.A. degree for English and Classical Studies, also from Harvard.

Cummings joined an ambulance corps with the American Red Cross in France during World War I. The French imprisoned him on suspicion of disloyalty, a false accusation that put Cummings in prison for three months. He wrote the novel, The Enormous Room, about his experience. Many of Cummings’ writings have an anti-war message.

Cummings was a fine artist, playwright and novelist. He studied art in Paris following World War I and he adopted a cubist style in his artwork. He considered himself as much a painter as a poet, spending much of the day painting and much of the night writing. Cummings particularly admired the artwork of Pablo Picasso. Cummings’ understanding of presentation can be seen in his use of typography to “paint a picture” with words in some of his poems.

During his lifetime Cummings wrote over 900 poems, two novels, four plays, and had at least a half dozen showings of his artwork.

Contrary to popular opinion Cummings never legalized his name as, “e.e. cummings.” His name properly should be capitalized.

The Poem

E. E. Cummings’ poetry style is unique and highly visual. His typographical independence was an experiment in punctuation, spelling and rule-breaking. His style forces a certain rhythm into the poem when read aloud. His language is simple and his poems become fun and playful.

Cummings’ poem, “i carry your heart with me,” is about deep, profound love, the kind that can keep the stars apart and that can transcend the soul or the mind. The poem is easily read, easily spoken, and easily understood by people of all ages.
The poem could almost be called a sonnet. It has nearly the right number of lines in nearly the right combination. But, typical of a Cummings poem, it goes its own direction and does so with great effect.

The poem makes an excellent love song when set to music. The outstanding guitarist, Michael Hedges, has set “i carry your heart” to music on his “Taproot” album. Hedges himself sings the lead, but the backing vocals are sung by David Crosby and Graham Nash.

More than 168 of Cummings’ original poems have been set to music.

Enjoy the words and the sentiments of this famous poem.

i carry your heart with me

i carry your heart with me (i carry it in

my heart) i am never without it (anywhere

i go you go, my dear; and whatever is done

by only me is your doing, my darling)

i fear

no fate (for you are my fate, my sweet) i want

no world (for beautiful you are my world, my true)

and it’s you are whatever a moon has always meant

and whatever a sun will always sing is you

here is the deepest secret nobody knows

(here is the root of the root and the bud of the bud

and the sky of the sky of a tree called life; which grows

higher than soul can hope or mind can hide)

and this is the wonder that’s keeping the stars apart

i carry your heart (i carry it in my heart)

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Valentine’s Day: A Funny Valentine Poem

Since My Valentine Got A Computer

Since my Valentine got a computer,

My love life has taken a hit.

Nothing I say is important,

Unless it’s a byte or a bit.

Before she got her new laptop,

Everything was just fine;

Now she says we can’t talk

Unless we both go online.

“But honey,” I said, “I’m attached to you;

Love is what I feel.”

“That keyword isn’t relevant,”

She said, with eyes of steel.

She clicked the keyboard furiously;

The screen was all she could see,

And then to my horror and shame,

She started describing me:

“Your motherboard needs upgrading;

Your OS needs help, too.

And you definitely need a big heatsink

To cool your CPU.”

“Don’t flame me, my sweet,” I pleaded.

“Not on Valentine’s Day.”

“Fix the bugs, and I’ll see,” she said,

While looking at me with dismay.

“What ever you want, my darling;

Whatever you need; you call it.

I’ll upload or download anything,

And then I’ll go install it.”

(Her hostile CD keeps replaying,

And though I don’t want to fight her,

Is this what I want for a Valentine?

I’ve been burned; can I rewrite her?)

“Are you all hard drive now,” I asked;

“Is there no software in you?

Don’t you remember the good times?

Let our memories see us through.”

“LOL,” she said to me, chuckling.

“You’re nothing but adware.

I’ve got a gig of memory;

I’ve got no problem there.”

“Please, honey, we can save it,” I said.

“Our love means more than that.”

“That’s not in my cache; we’re going to crash,”

She said, as she turned me down flat.

(This woman has really changed;

Do I really want to chase her?

More and more I’m thinking

It might be nice to erase her.)

“Aw, honey, don’t talk like that,” I said.

“Can’t we just plug and play?

I hereby accept default,

And I’m yours, my love, come what may.

“My goal is to make you happy;

I want to be your portal,

But your sudden, distant coldness

Would test the strongest mortal.

“If we need a brand new interface,

So we can FTP,

I’m your go along, get along guy,

And I want you to stay with me.”

“If you want to get into my favorites,” she said,

And you want to get past my encryption,

If you want to get through my firewall,

Here is my only prescription.

“First, put up your own Web site,

And e-mail me when it’s done.

I’ll check your page rank with Google,

And tell you if you’re the one.”

My life has become quite a trial,

Since my Valentine got a computer

If I want her to care about me again,

I guess I’ll have to reboot her.

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Almost Perfect Poem Using Imagery

Well-written poems contain certain elements with imagery, imagination, and vision at the top of the list. Even knowing the complete list, though, does not mean every poem will have all the elements of image and discourse, rhythm, effective line breaks, figures of speech (also known as poetic devices), word music, and formal structures. In fact a good poem may have one or two as major strengths and perhaps some of the others to supplement and complement the major element or elements.

However, imagery is a major component of any poetry. Through words, our senses experience a vivid, sensuous reaction. We need to use more than visual images, even though they are the most found in writing. Well-written poetry evokes smell, touch, sound, and/or taste. In other words, “show, don’t tell” is a common rule of poetry writing.

One way to develop the ability to create imagery, creating pictures out of words, comes from developing our imaginations. If we can first learn how to “see” in our minds what we want to share, writing that mental image becomes easier. Playing with senses, scenes, moods, questions, concepts, and faces in our minds and with our words frees our imaginations and allows them to fly, to soar. Writing lists of words that go with an idea wanted in a poem gives us starting points and threads to weave into the image. This list should include words dealing with most of the senses, if not all. Using free association (writing words that pop into our minds) helps us to free ourselves from preconceptions, firing up our imagination.

Play with the ideas and words, creating a tapestry of words to tickle the minds and imaginations of readers. One thing we need to do, too, is keep our images concrete, not abstract. Saying something is beautiful doesn’t “show” us how or why it should be considered beautiful. Giving the item color, texture, shape, and other sensory details gives the reader an idea of what beauty is.

Poetry should appear differently on the page or computer screen than paragraphs of prose. We need to use the thoughts and “threads” to prepare our poems.

Once ideas are listed, played with, and arranged artfully, we need to put the fledgling poem aside for a few days. Later we can see the poem with fresh eyes and decide to polish some more or give it a public debut.

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Poem and Quotes

“What’s in a name? that which we call a rose
By any other name would smell as sweet;”
-Shakespeare
“Romeo and Juliet”

Is a poet still a poet even if that person wears a bandanna, sagging pants and shoots expletives like bullets? Who determines the recipients of the title muse? When you think of poets, do you envision laureates like Robert Pinsky, Reed Whittemore, or Gwendolyn Brooks? How about Mos Def, Talib Kweli, or Tupac Shakur a.k.a 2Pac?

It’s about time that this generation acknowledges the ground breaking work of great M.C.’s, lyricists, or rappers like Shakur. The poems and quotes by 2Pac have enlightened a generation of youth. The gift he had to evoke passion, his sense of timing, and relevance to today’s world can not be denied.

Forward thinking college’s like the University of North Carolina, UCLA and Syracuse have registered that literature is a living, breathing, ever changing beast. Studying, Lil’ Kim to get a perspective on male chauvinism is feeding the minds of today’s youth and challenging preconceived notions of what poetry is. Classes that study the poems and quotes by 2Pac are learning translate the urban tongue into the “King’s English”. And they gain a deeper understanding of urban life.

What can we learn from the poems and quotes by 2Pac?

“First ship ’em dope & let ’em deal the brothers.
Give ’em guns step back watch ’em kill each other.
It’s time to fight back that’s what Huey said.
2 shots in the dark now Huey’s dead.”

“Learn to see me as a brother instead of 2 distant strangers, and that’s how it’s supposed to be.
How can the Devil take a brother if he’s close to me?

I’d love to go back to when we played as kids, but things changed, and that’s the way it is.”

This is the rawest way of expressing the plight of so many communities facing this harsh reality.
Tupac is able to resuscitate empathy and compassion in those who would otherwise not care. It is easy to see that his desires and dreams are not that different from any other man’s.

I have read many poems and quotes by 2Pac. This quote from when he was alive sums up his views on how he wanted to be pictured, “”I feel like role models today are not meant to be put on a pedestal. But more like angels with broken wings”.

This by no means glorifies the violence, bigotry, misogynism, & pornographic, lyrics that are prevalent in today’s music. It is there because it is a reflection of life. And not all of it is deep and moving. Sometimes the mood is lifted and it is time to party.

2Pac and Dr. Dre collaborated on the club banger “California Love” to demonstrate that hip hop is not all about guns, drugs, racism and violence. Although, at a time when relations between east coast rappers and west coast rappers were deteriorating rapidly, some say that the anthem was a akin to giving the east coast the middle finger. Such is the politics of hip hop. One man’s expression of pride in his hood is another man’s diss.

The east/west coast feud reminded me of another great conflict in literary history. The Montague’s and Capulets would certainly understand the enmity between the two coast. Because they understood the power that words have. Our past power might sound differently but it does not lack the ability to raise your consciousness, tug at your emotions, and challenge your views.

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Burning Autumn Leaves

Burning Autumn Leaves

[1950s in St. Paul, Minnesota]

My long steel pointed rake punctured

And twisted through tons of autumn leaves

(back in the ‘50s);

And there’s a hill yet, I didn’t rake, I see

Behind it, two embankments

Leaves I didn’t rake a day ago;

The essence of fall sleeps on the ground.

I love the scent of burning leaves:

I seem to dream of them nowadays.

I cannot shake the excitement I get

From the sight and smells of burning leaves.

Now the city will not allow the burning,

Not sure what can take its place—:

Only wishful thinking and dreaming, I think.

But every leaf that now appears, in autumn

I keep hearing the cracking of the fire; see

The flickering-flames of burning leaves; I

Can even smell—-the autumn leaves of long ago.

I have had too much of raking leaves, I do believe—.

I’m now old and tired, too tired to rake those hills;

Yet raking I still desire, not sure why.

There were a thousand days I raked, back then

Held in hand, the rake that struck the earth—

Spiked, into its dirt—capturing those critters (leaves)

Like thieves—: thieves sleeping.

This tiredness of mine will never go away, I fear

It’s called aging, or something, so I will have to find

Another place, to smell the burning autumn leaves;

And perhaps, perchance, do just a ting of raking:

Before the long, long, very long sleep.

#771 7/24/05

In Spanish

Hojas ardientes de otoño
(Los años de 1950 en St. Paúl. Minnesota)

Mi rastrillo de acero largo y puntiagudo pinchó

Y dio vuelta a través de toneladas de hojas

(Atrás en los años 50);

Y hay una colina aún, que no rastrillé, yo veo

Detrás de esto, dos terraplenes

De hojas que yo no rastrille hace un dìa;

La esencia del otoño dormirá sobre el piso.

Me gusta la esencia de las hojas ardiendo;

Yo parezco soñar con ellas estos días.

No puedo sacudirme el entusiasmo que consigo

De la vista y los olores de quemar hojas:

Ahora la ciudad no permitirá quemar,

No seguro de qué puede tomar lugar-:

Solo el optimismo pensando y soñando, Pienso

Pero cada hoja que ahora aparece, en otoño

Yo sigo oyendo el crujir del fuego; veo

El parpadear de las llamas de hojas ardiendo; yo

Puedo aún oler- las hojas de otoño de hace tiempo.

He tenido demasiado rastrillando hojas, Yo creo-

Ahora yo estoy viejo y cansado, demasiado cansado

para rastrillar esas colinas;

Aun rastrillando y todavía deseando, no seguro ¿por qué?

Hubo miles de días que rastrillé, atrás entonces

Sosteniendo en la mano, el rastrillo que golpeo la tierra-

Claveteando, dentro de su suciedad- capturando aquellos

bichos (hojas)

Como ladrones-: ladrones durmiendo.

Este cansancio mío no se irá jamás, yo temo

Esto es llamado envejecimiento o vejez, entonces yo tendré

que encontrar

Otro lugar, para oler las hojas ardiendo en otoño;

Y talvez, la posibilidad, de hacer justo un intento de rastrillar:

Antes de largo, largo, muy largo sueño.

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I Carry Your Heart With Me

The poem, “i carry your heart with me,” by E. E. Cummings has been a favorite love poem and a favorite selection at weddings for many years. The poem has gained renewed interest since being featured in the film, “In Her Shoes.” It is used with devastating effect in the film’s climactic wedding scene and again to close the movie. Countless fans have been inspired to review the touching words of “i carry your heart with me.”

The Poet

Broken Heart Poems

E. E. Cummings was born Edward Estlin Cummings in 1894 in Cambridge, Massachusetts. He died in North Conway, N.H., in 1962. Cummings earned a B.A. degree from Harvard in 1915 and delivered the Commencement Address that year, titled “The New Art.” A year later he earned an M.A. degree for English and Classical Studies, also from Harvard.

Cummings joined an ambulance corps with the American Red Cross in France during World War I. The French imprisoned him on suspicion of disloyalty, a false accusation that put Cummings in prison for three months. He wrote the novel, The Enormous Room, about his experience. Many of Cummings’ writings have an anti-war message.

Cummings was a fine artist, playwright and novelist. He studied art in Paris following World War I and he adopted a cubist style in his artwork. He considered himself as much a painter as a poet, spending much of the day painting and much of the night writing. Cummings particularly admired the artwork of Pablo Picasso. Cummings’ understanding of presentation can be seen in his use of typography to “paint a picture” with words in some of his poems.

During his lifetime Cummings wrote over 900 poems, two novels, four plays, and had at least a half dozen showings of his artwork.

Contrary to popular opinion Cummings never legalized his name as, “e.e. cummings.” His name properly should be capitalized.

The Poem

E. E. Cummings’ poetry style is unique and highly visual. His typographical independence was an experiment in punctuation, spelling and rule-breaking. His style forces a certain rhythm into the poem when read aloud. His language is simple and his poems become fun and playful.

Cummings’ poem, “i carry your heart with me,” is about deep, profound love, the kind that can keep the stars apart and that can transcend the soul or the mind. The poem is easily read, easily spoken, and easily understood by people of all ages.
The poem could almost be called a sonnet. It has nearly the right number of lines in nearly the right combination. But, typical of a Cummings poem, it goes its own direction and does so with great effect.

The poem makes an excellent love song when set to music. The outstanding guitarist, Michael Hedges, has set “i carry your heart” to music on his “Taproot” album. Hedges himself sings the lead, but the backing vocals are sung by David Crosby and Graham Nash.

More than 168 of Cummings’ original poems have been set to music.

Enjoy the words and the sentiments of this famous poem.

i carry your heart with me

i carry your heart with me (i carry it in

my heart) i am never without it (anywhere

i go you go, my dear; and whatever is done

by only me is your doing, my darling)

i fear

no fate (for you are my fate, my sweet) i want

no world (for beautiful you are my world, my true)

and it’s you are whatever a moon has always meant

and whatever a sun will always sing is you

here is the deepest secret nobody knows

(here is the root of the root and the bud of the bud

and the sky of the sky of a tree called life; which grows

higher than soul can hope or mind can hide)

and this is the wonder that’s keeping the stars apart

i carry your heart (i carry it in my heart)

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In The Children’s Dungeon

1-Iron

In raising my children I never heard their death sighs, years away…

Like a rustic faucet, of cast-iron, slowly was their false love dripping? Like worms gathering and crawling in a future nest of brooding, worms from hell, full of vengeance

I never saw their boneless hearts tell now, old age but, they were saying, “Wait, wait, we will grow older, worms grow you know…this is the tough time, youth!

“Then we will place him on the hook when his tissue is old and soft, we will not visit him, nor call: not even a minute one! All in time all in good time!”

Five children and I in an empty house watching fish swim around and around
flies buzzing in circles, outside by the light looking at old pictures now fading.

Their voices are always silent, as they appear in the form of children, not ever aging… children that turned sour, scorpions or bees trying to sting me.

Inform me:
why did you take that road? Out of what door should I crawl? Where would you have me lay?

2-They Told Me

Sun rays told me, hide from them; the moon said: they are like eels; the doctor held, love is not enough, tears will not help, nor extol nor money, nor gifts of any kind they do not wish to comfort you only to sadden you with hammer and gossip.

The toad told me, they are flat stones owls in the night; they are looking in the bug infested rubbish in the heat of summer, looking and hunting for something-

3-The Vision

I had a vision, a dream, I saw the shape of their hearts bigger than elephant’s, but darker than a rats, with less blood in them, than a mosquito’s- and the pumps made a loud nose.

I was under water looking up it was soft like a sponge, wrinkled like a mouse it didn’t fit in place, it had valves like toes! And it turned into an eel with fangs of a wildcat and it pulled out of its socket, and rolled about in thick muck it felt good, I think with its long wobbly legs puncture holes here and there and it liked to swim under the water sleek as an eel….

4-The Abyss

Where do the hearts go? To the gravel of the seabed (I was told by a mysterious voice). I looked and they were covered by hard marble stones, they looked as if they had been there quite long; it was their home away from home. And they twisted about like a vortex. Ask the sea-toad he knows, he saw from his leaf…deep into the sea… he told me “Beware father Lee, they live a grimy soaked shell, and if allowed they will simple nibble at your nerves, and punish your will.”

5-Betrayal

From the mouths of my children I heard their bitter and scorn it was getting old, and older, things I’ve heard before.

Like a rustic faucet, of old cast-iron, slowly was their false love dripping? Like worms gathering and crawling in a future nest of brooding, worms from hell, full of vengeance

Like wild dogs, they groaned snarled and wailed; twilight was against me, as was the deep eels of the sea, as was the houses around them whom whimpered out of gossip. The birds, dogs, cats all cried; their neighbors, like cows took their sides, in their bushes to listen as they hid, and wished I’d die! What small character they developed, what shallow songs they had to sing, what thick mud, they had to crawl out of… What kind of father are you now? You all live in ice caves dripping with envy, jealousy, and black-blood only the hypocrites here!

I’m tired, I’m very tired, all my bones crackle, so crack them more if you wish, you have anyhow! Only the winter now; you have drained the summer and spring from me- father fear, is no longer here, you have drained the love from his heart, now he has nothing to offer.

6-Perhaps Snake Oil

What kind of shape plays to a Mind that is recovering? Beckoning to do all it can for His children, through halls and hail and while standing still in a fag, trying to put one’s life back together; once scared, now scarred and perhaps a little phony…?

From the mouths of children things are seldom expressed how they can be, no vocabulary! Perched on my shoulders, I saw my boys flowing away; that coldness growing inside of them like dead eels being frozen (thus they became phony like me). They dropped me into a watery grave even though I did all I could to save what I could, sometimes it is worse, doing what is right, and being cursed.

This is the storm I have to endure pay the price for this and that, and all they gave at the end was unsmiling within themselves, things they never knew; as for my bones they still grew old, and the fire in my heart grew dim, and the seeds I once planted that sprung to life did not bud, butchered at the stem; Doom was already decided, for me and them, windows and doors now shut? House burning, new rage, now old rage, in their hearts, primordial tears, ongoing agitation and they all ran every which way-year after year.

7-Money and he Toad

Money, money, money came into the show, And when I was dying, they all stood by, hoping I’d die quicker than I would, go, just go…they think they hid this from the toad…but he always knew.

How stupid they can be, for the toad, he hides in the cool of the grass when no ones looking, and in the deep part of the sea; or from a branch in a tree, he doesn’t even leave a shadow…he’s part of me.

“Look, look,” he says “they are like ashes, falling through a dark swirl….” and I look, and yes, he is right!

8-When I was a Kid

I ran to the hill to see my mother (when I was a kid of eight or so) walking up it, walked with her side by side, full of pride, my eyes looking to the sun, she’d pick up a weed put it in her mouth, and I’d do the same as if I was a trained ….

On the foster-farm in the dark, I had many years to breathe and with my little feet, I climbed the little steps up to the bunk bed underneath me my brother slept, but I never hated my mother!

There was a light down the hall coming from the bedroom, like a fire-pit, here the owner slept, and other children wept. But I played big, I never did! And I never hated my mother!

In the morning light crept through the window light from the East came slowly over my blankets like snow…cool and refreshing in summer, refreshing and warm in the winter. And I never hated my mother.

I’d say to my brother, “Mom is coming!” As frost melted on the back steps that led to the horses, and pastures-it all melted like a fine haze, day after day, and I never hated my mother, thank God! And I’d say to my brother, over and over,” Mom is coming!”

9-The Years

There were several great years, in-between some winters, we traveled a lot, planes and trains and cars: those far-off memories, like roses kept swinging in the wind, above my head.

The festive times in Germany the kites in the backyard and playing in the woods, nights in Amsterdam, in the cafes and parks. The light moved slowly over our horizons, the beautiful surviving memories now over these old bones, their youth still swings back in my wind, for me to smell. The toad knows.

10-Their Troubled Souls?

Is it dark? Is it dark inside? Is it dark inside the dark? Movement becoming energetic unsettling? A vivacious logical will once amused them.

It will not happen again. Be quiet. You have only a while to wait, to get what you deserve, nothing…! Then I’ll leave. The toad knows.

11-Somehow the Roses

Am I not yet an old wound? The Sea-toad can vouch for me! He is the spiral that you cannot see. He tells me everything, pushes me forward shows me your heart, dear children…He whispers “They try to infect an old wound, leave them to their destiny; they have no room for comforting you!”

I am hunting or hurting, one of the two, the Sea-toad, says I am both, and you, yes you children are my protagonists, geared-up, to portray my soul of consciousness (animistic), but I am no fool…your tails flick like spiders running to their webs, to eat the remains of the fly, I know, your wish that I should die! -And I know you tried!

I can’t tell who you are anymore, the fish, the eel, the mole in the hole or the rat, the owl, perhaps you are a symbol of all of them, plus my obsession, to love and be loved, with respected! A frenzied activity lapsing like rain in your desert.

I dream of you two, the other three seldom, as in memories of when you were children somehow the roses appear around your frames “Papa” I hear you say, renewing my light, nothing essential to today’s reality, just old, old memories, buried in ambiguity.

Now you are all grown men and women, Your childhood long past, all mad silent poets, these are the only moments left I have, I have lost the spiritual quest, the ploddingly pursue.

Like a rustic faucet, of cast-iron, slowly was your false love dripping? Like worms gathering and crawling in a future nest of brooding, worms from hell, full of vengeance (The toad always knows).

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Mothers Day Poem That Will Really Touch Her Soul

Mothers Day poems are a celebration of love, strength, character, selflessness, joy and family. You can write a Mothers Day Poem to any Mother in your life whether she’s your wife, sister, friend or even your own mother. The sentiments are always the same and we all know the amount that mothers give up in order to raise their children; the daily grind and the thankless tasks that go into bringing up the next generation of society. An ideal way to show our gratitude to the mothers of the world is to express it in poetry. A Mothers Day Poem can express many deeply felt emotions in only a few words and can easily stir the spirit and emotions of the recipient.

Now, most people aren’t poets by nature so it can be a pretty tall order to write those few words that tell of your gratitude, love and loyalty to your mom but don’t despair, there are options! You can go online and find a beautifully crafted poem by a master wordsmith and copy it out onto a piece of handmade paper with an old-fashioned ink pen (tip: choose a good nib for italics to create flow within the line of each word and practice a couple of times before applying your words to the expensive paper).

Once you have written your poem you can decorate it with a collage to frame your words. Alternatively you might choose to draw or paint flowers around the body of text. You might even roll up your work of art and deliver it with a ribbon tied around the scroll, or even better she might like it framed so that it can be displayed. This will make her very proud and will be a constant reminder to her of your deep affections. Either way you can be sure that the mother that you’re giving this to will be delighted that you have taken some time out of your day to think of her and make her something beautiful.

Before you give your gift of a Mothers Day Poem you might like to go into the garden and pick her some beautiful spring flowers. No one can deny the beauty or meaning of a poem delivered with freshly cut flowers. Whatever you do for the Mothers in your life this year make sure you show them that you love them and appreciate all that they do for you- make this year count as the memories created now will strengthen all bonds of family for the rest of your lives.

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